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Atharvaveda


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The Atharvaveda (Sanskrit: अथर्ववेदः, atharvaveda, a tatpurusha compound of Atharvan, an ancient Rishi, and veda, meaning "knowledge") is a sacred text of Hinduism and one of the four Vedas, often called the "fourth Veda". According to tradition, the Atharvaveda was mainly composed by two groups of rishis known as the Atharvanas and the Angirasa, hence its oldest name is Ātharvāṅgirasa. In the Late Vedic Gopatha Brahmana, it is attributed to the Bhrigu and Angirasa. Additionally, tradition ascribes parts to other rishis, such as Kauśika, Vasiṣṭha and Kaśyapa. There are two surviving recensions (śākhās), known as Śaunakīya (AVS) and Paippalāda (AVP).

The Atharvaveda, while undoubtedly belonging to the core Vedic corpus, in some ways represents an independent parallel tradition to that of the Rigveda and Yajurveda. It incorporates much of the early traditions of healing and magic that are paralleled in other Indo-European literatures[citation needed].

The Atharvaveda is less predominant than other Vedas, as it is little used in solemn (Shrauta) ritual. The largely silent Brahmin priest observes the procedures of the ritual and "heals" it with two mantras and pouring of ghee when a mistake occurs. An early text[citation needed], its status has been ambiguous due to its magical character.

[edit]Recensions

The Caraṇavyuha (attributed to Shaunaka) lists nine shakhas, or schools, of the Atharvaveda:[1]

  1. paippalāda, regions south of the Narmada River
  2. stauda
  3. mauda
  4. śaunakīya, regions north of the Narmada River
  5. jājala
  6. jalada
  7. kuntap
  8. brahmavada
  9. devadarśa
  10. cāraṇavaidyā

Of these, only the Śaunakīya (AVS), present in Gujarat, and the Paippalāda (AVP) recension in coastal Orissa have survived. Both have some later additions, but the core Paippalāda text is considered earlier than most of the Śaunakīya. Often in corresponding hymns, the two recensions have different verse orders, or each has additional verses not in the other.

Saṃhitāvidhi, Śāntikalpa and Nakṣatrakalpa are some of the five kalpa texts adduced to the Śaunakīya tradition and not separate schools of their own.

Two main post-Samhita texts associated with the AV are the Vaitāna Sūtra and the Kauśika Sūtra. The Vaitanasutra deals with the participation of the Atharvaveda priest (brahmán) in the Shrauta ritual, while the Kauśikasūtra contains many applications of Atharvaveda mantras in healing and magic. This serves the same purpose as the vidhāna of the Rigveda and is of great value in studying the application of the AV text in Vedic times. Several Upanishads also are associated with the AV, but appear to be relatively late additions to the tradition. The most important of these are the muṇḍaka and the praśna Upanishads. The former contains an important reference to Śaunaka, the founder of the Shaunakiya shakha, while the latter is associated with the Paippalādashakha.

[edit]Dating

It is conjectured that the core text of the Atharvaveda falls within the classical Mantra period of Vedic Sanskrit at the end of the 2nd millennium BCE - roughly contemporary with the Yajurvedamantras, the Rigvedic Khilani, and the Sāmaveda.

The Atharvaveda is also the first Indic text to mention iron (as krsna ayas, literally "black metal"), so that scholarly consensus dates the bulk of the Atharvaveda hymns to the early Indian Iron Age, corresponding to the 12th to 10th centuries BC, or the early Kuru kingdom.

Tradition suggests that Paippalāda, one of the early collators, and Vaidharbhī, one of the late contributors associated with the Atharvanic text, lived during the reign of prince Hiranyanabha of theIkshvāku dynasty.

[edit]Divisions and issues of note

  • The Shaunakiya text is clearly divided into four parts: Kāṇḍas 1-7 deal with healing and general black and white magic that is to be applied in all situations of life, from the first tooth of a baby to regaining kingship. Kandas 8-12 constitute early speculation on the nature of the universe and of humans as well as on ritual and are thus predecessors of the Upanishads. They continue the speculative tradition of some Rigvedic poets. Kandas 13-18 deal with issues of a householder's life, such as marriage, death and female rivalry, as well as with the ambiguous Vratyas on the fringes of society and with the Rohita sun as an embodiment of royal power. Kanda 19 is an addition, and Kanda 20 is a very late addition containing Rigvedic hymns for the use of the Atharvanic Brahmanacchamsin priest as well as for the enigmatic Kuntapa ritual of the Kuru kingdom of Parikshit. The Paippalada text has a similar arrangement into four parts (Kandas 1-15, 16-17, 18, 19-20) with roughly the same contents.
  • The Paippalada text begins with shan no devir abhistaye, the most common brahmayajna mantra. The Shaunakiya text begins with ye trishapt, which is in the second sukta in the Paippalada Samhita.[1]
  • The popular Gopala Tapini Upanishad, among Nimbarka Sampradaya and Gaudiya Vaishnavism, belongs to Paippalada Samhita.[2]
  • Jain and Buddhist texts are considerably more hostile to the Atharvaveda (they call it Aggvāna or Ahavāna Veda) than they are to the other Hindu texts.[citation needed]
  • The AV is the first Indic text dealing with medicine. It identifies the causes of disease as living causative agents such as the yatudhāna, the kimīdin, the krimi or kṛmi and the durṇāma. TheAtharvans seek to kill them with a variety of incantations or plant-based drugs in order to counter the disease (see XIX.34.9). This approach to disease is quite different compared to the trihumoral theory of Ayurveda. Remnants of the original Atharvanic thought did persist, as can be seen in Suśruta's medical treatise and in (Garuḍa Purāṇa, karma kāṃḍa - chapter: 164). Here, following the Atharvan theory, the Purāṇic text suggests germs as a cause for leprosy. In the same chapter, Suśruta also expands on the role of helminths in disease. These two can be directly traced back to the Atharvaveda saṃhitā. The hymn AV I.23-24 describes the disease leprosy and recommends the rajani auṣadhi for its treatment. From the description of the auṣadhias a black, branching entity with dusky patches, it is very likely that it is a lichen with antibiotic properties. Thus the AV may be one of the earliest texts to record uses of the antibiotic agents.
  • The Atharvaveda also informs about warfare. A variety of devices, such as an arrow with a duct for poison (apāskambha) and castor bean poison, poisoned net and hook traps, use of disease-spreading insects and smoke screens[citation needed] find a place in the Atharvaveda saṃhita (e.g., hymns IX.9 and IX.10, the trisaṃdi and nyārbudi hymns). These references to military practices and associated Kṣatriya rites were what gave the Atharvaveda its reputation. In the Mahabharata, there is a frequent comparison between weapons and the mantras of the heroes.
  • Several regular and special rituals of the Aryans ārya are a major concern of the Atharvaveda, just as in the three other Vedas. The major rituals covered by the AV are marriage in kāṃḍa - XIV and the funeral in kāṃḍa - XVIII. There are also hymns that are specific to rituals of the bhṛgu-aṅgirasas, vrātyas and kṣatriyas. One peculiar rite is the Viṣāsahi Vrata, performed with the mantras of the XVII kāṃḍa in a spell against female rivals. The Vrātya rituals were performed by individuals who took on a semi-nomadic way of living and were generally roaming about in neighboring tribal territories to gain wealth in cattle by putting pressure on householders grihastha. Finally, there are some rituals aimed at the destruction of the enemies (Abhicārika hymnsand rites), particularly found in chapters 1-7. While these support traditional negative views on the AV, in content, they are mirrored by several other hymns from the Rig as well as the Yajuṣes. Moreover, Abhicārika rites were an integral part of Vedic culture, as is amply attested in the brāhmaṇa literature. Thus, the Atharvaveda is fully within the classic Vedic fold, though it was more specific to certain Brahmán clans of priests. The development of the Abhichārika rites to their more "modern" form is clearly seen in the vidhāna literature. The author of the ṛgvidhāna provides passing reference to the development of similar rites in the AV tradition (the references to the Āṅgirasa Krityās). These rites reached their culmination in the Kauśika Sutra and in some of thePariśiṣṭas (appendices) of the Atharvan literature.
  • Philosophical excursions are found in books 8-12. One of the most spectacular expressions of philosophical thought is seen in the hymn XII.I, the Hymn to goddess Earth or the Pṛthivī Sūktaused in the Āgrayana rite. The foundations of Vaiṣeśika Darśana is expressed in the mantra XII.1.26 in which the atoms (Pāṃsu) are described forming the stone, the stones agglutinating to form the rocks and the rocks held together to form the earth. Early pantheistic thought is seen in the hymn X.7 that describes the common thread running through all manifest and non-manifest existence as the skaṃbha. This skaṃbha is described as what poured out of the Hiraṇyagarbha that was the precursor of the complex world in a very simple form (X.7.28). (Hiraṇyagarba = "The golden womb from which the Universe was formed.") This Skambha is Indra, and Indra is the Skambha which describes all existence. The hymn also describes a pantheistic nature of the Vedic gods (X.7.38): skaṃbha is the heat (tapaḥ) that spreads through the universe (Bhuvana) as waves of water; the units of this spreading entity are the gods even as branches of one tree. This theme is repeatedly presented in various interpretations in later Hindu philosophies.

[edit]Editions

The Shaunakiya text was edited by Rudolf Roth and William Dwight Whitney (Berlin, 1856), Shankar Pandurang Pandit in the 1890s (Bombay) and by Vishva Bandhu (Hoshiarpur, 1960–62). Translations into English were made by Ralph Griffith (2 vols., Benares 1897), D. Whitney (revised by Lanman, 2 vols, Cambridge, Mass. 1905), and M. Bloomfield (SBE Vol XLII); also see Bloomfield, "The Atharvaveda" in "Grundriss der Indoarischen Philologie", II (Strasburg, 1899).

The bulk of the Paippalāda text was edited by Leroy Carr Barret from 1905 to 1940 (book 6 by F. Edgerton, 1915) from a single Kashmirian Śāradā manuscript (now in Tübingen). This edition is outdated, since various other manuscripts were subsequently discovered in Orissa. Some manuscripts are in the Orissa State Museum, but many manuscripts are in private possession and are kept hidden by their owners.

In 1959 Durgamohan Bhattacharyya Professor at Sanskrit College, Calcutta could collect many manuscripts of the Paippalāda-Saṃhitā and its ancillary literature like the Āṅgirasakalpa after painstaking search over years in Orissa and South-West Bengal. Durgamohan Bhattacharyya’s discovery of a living tradition of the Paippalāda-Saṃhitā, unknown till then, was hailed in the Indological world as epoch making. Ludwig Alsdorf went so far as to say that it was the greatest event in Indology. Bhattacharyya died in 1965 leaving his edition of the text incomplete. This task was completed by Dipak Bhattacharya whose critical edition of the first 18 kāṇḍas published by the Asiatic Society, Calcutta came out in three volumes in 1997, 2008 and 2011.

Timeline of editions since the discovery of the Orissa tradition:

1964–1970 edition of books 1-4 by Durgamohan Bhattacharyya, Sanskrit College, Calcutta (Orissa text only)
1997: edition of books 1-15 by Dipak Bhattacharya
1999: edition and translation into German of book 2 by Thomas Zehnder
2000: edition and translation into English of books 13 and 14 by Carlos A. Lopez
2002: edition and translation into English of book 5 by Alexander Lubotsky
2008: edition of book 16 by Dipak Bhattacharya
2009: edition and translation into English of books 6 and 7 by Arlo Griffiths

[edit]Recitation style of the Atharvaveda

The current recitation style of this Veda mostly resembles the Rigvedic one.

The Shaunaka Shakha of the Atharvaveda is recited in western Saurastra, at Benares, Gokarna and, after a recent introduction from Benares, also in South India (Tirupati, Chidambaram, etc.). The Gokarna version follows the northern style, which resembles the way the Maharashtrians recite the Rigveda Samhita. In Varanasi, which derives its style from Gujarat, the way of recitation is little different. Similarly in South India, the Shaunaka Shaka is recited using the Rig Veda as a base, with minute variations in Kampa Svara.

The Paippalada Shakha of the Atharvaveda is recited in Orissa in samhita-patha, however not with typical Vedic svara [3],[4][5], and in south Jharkhand districts by some migrants of Utkala Brahmins,[6] while its Kashmir branch has been extinct for some centuries.

 

Courtesy : http://en.wikipedia.org/wiki/Atharvaveda

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    • Paandhia Ho -kaafi baba bulle shah
    • Paatian Likhan Main Sham nu -kaafi baba bulle shah
    • Paya Hai Kichh Paya Hai -kaafi baba bulle shah
    • Ranjha Ranjha Kardi Ni Main (Kafi Baba Bulle Shah)
    • Taangh Mahi Di Jalli Haan - kaafi baba bulle shah
    • Tere Ishq Nachaya (Kaafi Baba Bulle Shah)
    • Wah Wah Maati Di Gulzar (Kafi Baba Bulle Shah)
    • Vahdat da dariya- kaafi baba bulle shah
  • Short Motivational Hindi Stories
    • mahabharat katha - Pranaam ka mahatva- Hindi Motivational story prernadayak kahani
    • Aadhi Roti Ka Karz- Hindi Motivational story prernadayak kahani
    • Neech to wo log hain...- Hindi Motivational story prernadayak kahani
    • Jeena isi ka naam hai- Hindi Motivational story prernadayak kahani
    • BESHAK - Allah ne use de diya- Hindi Motivational story prernadayak kahani
    • Mrityu ke pashchat Swarg prapti kaise karen (Mahatma Budh)- Hindi Motivational story prernadayak kahani
    • Kahin Hum Bhi Khoontiyon se to nahin bandhe hain - Hindi Motivational story prernadayak kahani
    • Bhagwan Ki Yojna- Hindi Motivational story Kahani
    • hum gusse mein chillate kyun hain- Hindi Motivational story Kahani
    • Bina Mrityu Ke Punarjanam- Hindi Motivational story Kahani
    • Kabootar aur Insaan- Hindi Motivational story Kahani
    • main aur mera laptop aksar baaten karte hain- Hindi Motivational story
    • Zinda Maa Ka Shraadh- Hindi Motivational story
    • Bhagwan jo karta hai theek karta hai tolstoy- Hindi Motivational story
    • Bhagwan Ki Yojna, God's Planning- Hindi Motivational story
    • Apne Lakshya par vishwas kayam rakhiye- Hindi Motivational story
    • Doosron se apni tulna mat karo--Donot compare yourself to others- Hindi Motivational story
    • Jode Ghar Ki Sewa Ka Mahatva-Hindi Kahani
    • Safal Jeevan Kya Hota Hai (what is successful life)- Hindi Kahani
    • Sadhu Ki Jhopdi (Postive and Negative Attitude)- Hindi Kahani
    • Bheem Ki seekh -Mahabharat ki Kahani - Hindi Kahani
    • Satsang Ka asar kyun nahin hota? - Hindi kahani
    • Aap Kya Banege - Sher ya Geedar - Hindi kahani
    • Kya bhagwan hamen dekh raha hai (Is god watching us?)-- Hindi Kahani
    • Shaitan ko bhi bhagwan ka aadesh maanana padta hai-- Hindi Kahani
    • Bhagwan (Ishwar) sabki raksha karta hai-- Hindi Kahani
    • Satsang Ko Aachran Mein Lana Hoga- Hindi Kahani
    • Beti Bachao Beti Padhao- Hindi Kahani
    • Jeevan Ka Sahi Lakshya aur Disha - Hindi Kahani
    • ANTIM DAUD - last race paropkar Story hindi Kahani)
    • Stress Management (Chinta Dukh se bachne ka saral upay)- Katha (Short Story hindi Kahani)
    • Wo Prabhu Ki Meharbani Thi - Katha Bhagwan (Short Story hindi Kahani)
    • MANN KI JHEEL -Bodh Katha Bhagwan (Short Story hindi Kahani)
    • HIMMAT MAT HAARO (Short Story hindi Kahani)
    • SANSAR KYA HAI - What is world (Short Story hindi Kahani)
    • PARMATMA KA SHUKRA KAREM Always thank God (Short Story hindi)
    • SHUDH PAVITRA (Bhakt Kabir Ji ke Jivan se judi Hindi Kahani Story)
    • KAHAN HAI BHAGWAN - Where is God- Hindi short story kahani
    • MANOBAL MORALE- Hindi short story kahani
    • Sabko Khush Nahin Kiya Ja Sakta video hindi story kahani
    • Bhagwan ki Marzi (Ichchha) God's Will- Hindi short story kahani
    • Kaun Kiska Maalik- Hindi short story kahani
    • Pencil Ki Kahani, Pencil Ke Gun- Hindi short story kahani
    • Aatam Vishleshan (Introspection)- Hindi short story kahani
    • Hakim Lukmaan (Hakeem Lukman)- Hindi short story kahani
    • BAS NAZARIYE KA FARK HAI (Shiksha)- Hindi short story laghu katha bodh katha
    • Guru Ji Ki Seekh (Shiksha)- Hindi short story laghu katha bodh katha
    • Upyogi Hal- Hindi short story laghu katha bodh katha
    • RANI KA HEERON KA HAAR- Hindi short story laghu katha bodh katha
    • RINANUBANDH - Dr. Dinesh Chamola - Hindi short story laghu katha bodh katha
    • Bada Bhikhari Kaun - Dr. Dinesh Chamola - Hindi short story laghu katha bodh katha
    • Vismriti (Short Story)
    • Gantavya (Short Spiritual Story)
    • Sadabaahar Bhakti (Short Story)
    • Saadhna (Short Story)
    • DO NAGINE (Two Gems) Jewish Story Yahudi Kahani - short hindi motivational story
    • BHAKT KABIR Ji ke jivan se judi kahani - short hindi motivational story
    • PREM, DHAN AUR SAFALTA - short hindi motivational story
    • Bole Hue Shabd Vaapis nahin hote - hindi short motivational inspirational story
    • Ek Gilas Doodh - Hindi short motivational story kahani
    • GYAN AUR VIVEK KO JIVAN MEIN NIYAMPOORVAK LANA HOGA - short hindi motivational story kahani
    • Kartavya Ka Paath - hindi kahani/story
    • Kinaare baithkar savikaari usne lehron ki chunauti - hindi kahani/story
    • Jab Bhikhari bana daata aur Raja bana yaachak - hindi kahani/story
    • Karm Ki Mahanta - hindi motivationa inspirational story
    • Krodh par vijay - hindi short motivational insipirational story
    • KSHMA V SADBHAVNA - hindi kahani/story
    • Mandbudhi Baalak Vidwaan Vardraaj bankar ubhra - hindi kahani/story
    • Mor Ban-ne ki chaahat mein Kaue ki hui durgati - hindi kahani/story
    • Muft Anaron ki keemat nahin samjhi - hindi kahani/story
    • Namarta Ka Paath - hindi kahani/story
    • NINDA KARNE KI PRAVRITI - hindi kahani/story
    • Okayo Ki Drid Ichchha Shakti - short hindi motivational story kahani
    • Sant Ki baatein sunkar kroor raja sudhar gaya - hindi kahani/story
    • Shakti Jeevan hai, durbalta mrityu hai - hindi story-kahani
    • Zindgi Ka Kadva Sach - short hindi motivational story
  • Short Motivational English Stories
    • An Old Man Lived in the Village - Short English Inspirational motivational story
    • The-Foolish-Donkey - Short English Inspirational motivational story
    • The Wise Man- Short English Inspirational motivational story
    • The Elephant Rope (Belief) - English Inspirational motivational story
    • A Pound of Butter (Honesty) - English Inspirational motivational story
    • Puppies for Sale (Understanding) - English Inspirational motivational story
    • Control Your Temper (Anger) - English Inspirational motivational story
    • The Butterfly (Struggles) - English Inspirational motivational story
    • The Obstacle In Our Path (Opportunity) - English Inspirational motivational story
    • The Group of Frogs (Encouragement)- English Inspirational motivational story
    • Thinking Out of the Box - English Inspirational motivational story
    • There's no competition In DESTINY, run your own RACE and wish others-english motivational story
    • Helping others is helping mankind--english motivational story
  • Religious Scriptures
    • Bhagwad Geeta in Hindi .pdf FREE DOWNLOAD
    • Bhagwad Geeta in pdf format
      • Sunder Kand with Hanuman Chalisa in pdf format for free download
    • Bhagwad Geeta in English .pdf
    • Hanuman Chalisa for free download in pdf
    • Quran in Hindi Language for free download in .pdf format
    • Quran in Hindi Language pdf download
    • Ramcharit Manas in hindi .pdf FREE DOWNLOAD
  • Hamare Sant Mahapurush
    • Hinduism Hindu dharam mein hue mahan guru aur unki mahima
    • Shirdi Ke Sai Baba Sain Baba
    • Sant Ravidas Ji
    • Swami Vivekanand
      • Quotes of Swami Vivekanand
    • Maharishi Arvind
    • Bhagat Meera Bai Ji
    • Bhagat Rahim Ji
    • Bhagat Namdev Ji
    • Bhagat Bikhan Ji
    • Bhagat Sain Ji
    • Bhagat Dhanna Ji
    • Bhagat Dhruv Ji
    • Bhagat Shekh Farid Ji
    • Goswami Tulsidas
    • Sant Gyaneshwar
    • Bhakt Kabir
      • Bhakt Kabir - Jeevan aur Shikshayen
    • Sant Sukrat (Saint Socrates)
  • Upanishad
    • Mundaka Upanishad
  • Vedas
    • Rigveda for free download in pdf
    • Yajurveda for free download in pdf
    • Samaveda for free download in pdf
    • Atharvaveda for free download in pdf
  • Puran
    • Agni Puran in pdf for free download
    • Bhagwat Puran in pdf for free download
    • Bhavishya Puran in pdf for free download
    • Brahma Puran in pdf for free download
    • Brahmand Puran in pdf for free download
    • Garuda Puran in pdf for free download
    • Kurma Puran in pdf for free download
    • Ling Puran in pdf for free download
    • Markandya Puran in pdf for free download
    • Matsay Puran in pdf for free download
    • Narad Puran in pdf for free download
    • Padma Puran in pdf for free download
    • Shiv Puran in pdf for free download
    • Skand Puran in pdf for free download
    • Brahm Vaivtra Puran in pdf for free download
    • Vaman Puran in pdf for free download
    • Varah Puran in pdf for free download
    • Vishnu Puran in pdf for free download
  • Hindu Religion
    • नवरात्र Navratri (Navratr) in Hindi
      • Ma Shailputri (माँ शैलपुत्री) नवरात्र Navratri (Navratr) in Hindi
      • Ma Brahmcharini ब्रह्मचारिणी - इसका अर्थ- ब्रह्मचारीणी
      • Ma Chandraghanta चंद्रघंटा - इसका अर्थ- चाँद की तरह चमकने वाली
      • Ma Kooshmanda कूष्माण्डा - इसका अर्थ- पूरा जगत उनके पैर में है
      • Ma Sakand Mata स्कंदमाता - इसका अर्थ- कार्तिक स्वामी की माता
      • Ma Kaatyani कात्यायनी - इसका अर्थ- कात्यायन आश्रम में जन्मि
      • Ma Kaalratri कालरात्रि - इसका अर्थ- काल का नाश करने वली
      • Ma Mahagauri महागौरी - इसका अर्थ- सफेद रंग वाली मां
      • Ma Sidhidaatri सिद्धिदात्री - इसका अर्थ- सर्व सिद्धि देने वाली
    • Navratri in English
    • Hindu Gods
      • Bhagwan Ram (Lord Rama)
      • Panchmukhi Hanuman Ji पंचमुखी हनुमान जी
      • Bhagwan Krishan (Lord Krishna)
      • Bhagwan Vishnu (Lord Vishnu) Narayan Hari
      • Bhagwan Shiv (Lord Shiva) God of Death
      • Bhagwan Shiv (Lord Shiva) God of Death
    • Hindu Dharm ke Vrat env tyohaar
      • Karva Chauth vrat kya hai, karva chauth vrat ki sampoorn vidhi
    • Shraad meaning (sharad Shradh)
      • पितृ पक्ष Pitra Paksh
    • Hartalika Teej
    • Ganesh Chaturthi गणेश चतुर्थी
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